Dutch & Belgian Prints

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Grote Dennenappel II (Large Pine Cone II) -  DONKER

Grote Dennenappel II (Large Pine Cone II)
CHARLES DONKER
Dutch, (b. 1940)
Etching, 2010, Rijksmuseum CD 10-11; edition 15. 7 1/4 x 8 1/4 in. Signed and dated in the plate. Signed, numbered and titled in pencil. A superb impression with full margins. The condition is excellent. This is one of a series of beautifully etched studies of this simple subject.
SOLD

Veenlandschap (Veen) -  DONKER

Veenlandschap (Veen)
CHARLES DONKER
Dutch, (b. 1940)
Etching and aquatint, circa 1992, Rijksmuseum CD 92-8 (ii/II); edition 40. 9 1/2 x 10 7/8 in. Signed, titled and numbered in pencil. This is a fine impression in fine condition. The margins are full. Veen is a village in the Dutch province of North Brabant.
$850

Berk Midden in Bos (Berk I) (Birch in the Middle of the Forest) -  DONKER

Berk Midden in Bos (Berk I) (Birch in the Middle of the Forest)
CHARLES DONKER
Dutch, (b. 1940)
Etching, circa 1988-89, Rijksmuseum CD88-2; edition 30. 9 3/4 x 11 in. Signed and numbered in pencil. A fine impression in fine condition. The margins are full. The Rijksmuseum has published an online catalogue raisonné of the etchings of Charles Donker. Simply search for RKD monographs: http://english.rkd.nl/about-the-rkd
SOLD

Bilthoven -  DONKER

Bilthoven
CHARLES DONKER
Dutch, (b. 1940)
Etching, 1992, Rijksmuseum CD 92-24; edition 10. 7 7/8 x 8 5/8 in. Signed and numbered in pencil. This is a fine impression printed with delicate plate tone. The margins are full and the condition is fine. Bilthoven is near Utrecht, Holland.
$750

Uitzicht Vanuit de Tuin in Godlinze (View from the Garden in Godlinze) -  DONKER

Uitzicht Vanuit de Tuin in Godlinze (View from the Garden in Godlinze)
CHARLES DONKER
Dutch, (b. 1940)
Etching, 2008, Rijksmuseum CD 08-2; edition 15. 10 3/4 x 11 5/8 in. Titled and dated in the plate. Signed and numbered in pencil. This is a fine impression in fine condition. The margins are full. Godlinze is a town in the province of Groningen.
$800

Vossegatsedijk III -  DONKER

Vossegatsedijk III
CHARLES DONKER
Dutch, (b. 1940)
Etching, circa 1986, Rijksmuseum CD 86-2; edition unknown. 13 x 11 1/8 in. Titled in the plate and signed and numbered in pencil. A fine impression with full margins. The condition is excellent.
$850

Three Tree Falcons (Drie Boomvalken) -  DONKER

Three Tree Falcons (Drie Boomvalken)
CHARLES DONKER
Dutch, (b. 1940)
Etching, 2008, Rijksmuseum CD08-5 (iii/III); edition 20. 9 1/8 x 10 5/8 in. Signed and numbered in pencil, and with "III" indicating the third state of three. The margins are full and the condition is fine. Donker did a few studies of these birds and they are representative of his keen sense of observation all aspects of the natural world.
$800

Behind the Dike at Eemshaven (Achter de Dijk Bij de Eemshaven, Groningen) -  DONKER

Behind the Dike at Eemshaven (Achter de Dijk Bij de Eemshaven, Groningen)
CHARLES DONKER
Dutch, (b. 1940)
Etching, circa 2013, subsequent to Rijksmuseum CD, edition 10. 6 5/8 x 10 5/8 in. Signed, numbered and titled in pencil. This is a fine impression printed on white wove paper. The margins are full. The condition is excellent. Eemshaven is a seaport in the province of Groningen in the north of Holland.
$750

Dead Coot (Dode Meerkoet) -  DONKER

Dead Coot (Dode Meerkoet)
CHARLES DONKER
Dutch, (b. 1940)
Etching, circa 1967, Rijksmuseum CD 67-9, edition 20. 10 x 9 3/4 in. Signed and numbered in pencil. This is a fine impression of this rare, early work. The margins are full and the condition is excellent. Donker has produced several prints over the years that deal with dead birds and other animals. Donker has not been hesitant about exploring this challenging subject matter and the results are generally quite successful and well-observed.
$800

Dead Ring Ouzel with the head facing left (Dode Beflijster Kop Links) -  DONKER

Dead Ring Ouzel with the head facing left (Dode Beflijster Kop Links)
CHARLES DONKER
Dutch, (b. 1940)
Etching, 1977, Rijksmuseum 77-17, edition 15. 6 1/8 x 8 1/16 in. Dated in the plate. Signed and numbered in pencil. This is a fine impression in fine condition. The margins are full. The ring ouzel is a European member of the thrush family, the mountain equivalent of the common blackbird.
$750

Hilly Landscape in l'Ardèche (4)  (Heuvellandschap in de Ardèche, 4) -  DONKER

Hilly Landscape in l'Ardèche (4) (Heuvellandschap in de Ardèche, 4)
CHARLES DONKER
Dutch, (b. 1940)
Etching, 1976-77, CD 77-3, edition at least 11. 5 5/8 x 8 3/8 in. Titled in the plate, lower right. Signed and numbered "9" in pencil. This is a fine impression printed with light plate tone. The margins are full and the condition is fine. The catalogue lists an impression numbered "10" but the total printing is unknown and presumably small. Ardèche is in the Auvergne-Rhône-Alpes region of south central France.
$750

Water Well in High Trees (Waterput bij hoge Bomen) -  DONKER

Water Well in High Trees (Waterput bij hoge Bomen)
CHARLES DONKER
Dutch, (b. 1940)
Etching, 1978, CD 77-26(ii/II); edition 20. 8 3/8 x 9 7/8 in. Signed and dated in pencil. this is a fine impression in fine condition. The margins are full. The scene depicted here is Rhijnauwen in Holland, not far from Utrecht.
$875

Haystacks along a Towpath (Hooischelven aan het Jaagpad) -  DUPONT

Haystacks along a Towpath (Hooischelven aan het Jaagpad)
PIETER DUPONT
Dutch, (1870-1911)
Etching, 1895, Dupont 38, edition 100. 8 x 13 in. Signed and numbered in pencil. This is a fine impression printed on a large sheet of cream Japanese paper. The margins are full and the condition is excellent. Dupont's etchings were largely published by E.J. van Wisselingh, Amsterdam, who also published the work of Witsen and Bauer. This fine, early etching shows the Rijksmuseum in the distance at right. Dupont's work is discussed in the recent publication, Holland on Paper in the Age of Art Nouveau, (2014) by Cliff Ackley, pages 168-171.
$1,250

Prinsengracht in Amsterdam  -  DUPONT

Prinsengracht in Amsterdam
PIETER DUPONT
Dutch, (1870-1911)
Etching, 1895, Dupont 42, van Wisselingh 302; edition 100. 8 1/2 x 9 3/4 in. Signed, dated and numbered in pencil. This is a very fine, dark impression printed on a large sheet of cream wove paper. The margins are full and the condition is excellent. The plate was published by van Wisselingh, Amsterdam. This exquisite, finely detailed plate is representative of his best street scenes done in Amsterdam. In 1903, he became a professor of graphic arts at the Rijksakademie.
$1,500

Oude Kerk Tower, Amsterdam (Oude Kerkstoren te Amsterdam) -  DUPONT

Oude Kerk Tower, Amsterdam (Oude Kerkstoren te Amsterdam)
PIETER DUPONT
Dutch, (1870-1911)
Etching, 1907-08, Dupont 103, van Wisselingh 313; edition 100. 17 3/4 x 7 7/8 in. Signed in pencil. This is a fine, luminous impression printed on fibrous Japanese paper. The margins are substantial and possibly full. The condition is fine. This exquisite rendering of the Oude Kerk is from the collection of P.W. van Doorne (Lugt 4731). This is Amsterdam's oldest building having been founded in 1213.
$1,500

Family -  EEKMAN

Family
NICOLAS (NICO) EEKMAN
Belgian, (1889-1973)
Woodcut, circa 1925-30, edition unknown but probably small. 10 1/8 x 5 3/4 in. Signed in pencil lower right. This fine impression is printed on a thin Japanese paper. The margins are narrow (about 1/2" all around). The condition is fine. Eekman developed his own expressionist woodcut style with an emphasis on the figurative. His work can be found in many museum collections.
$500

Dance of Death in Seven Tempos (Dood- Dans in Zeven Tempos) -  EEKMAN

Dance of Death in Seven Tempos (Dood- Dans in Zeven Tempos)
NICOLAS (NICO) EEKMAN
Belgian, (1889-1973)
Woodcuts, 1924, edition 200. each woodcut 10 3/4 x 6. Signed in red ink with the artist's monogram on the left and signed in pencil, lower right. This set of seven woodcuts (plus title page) consists of fine, uniform impressions in very good condition. The margins are full as issued. This masterful Belgian expressionist work is printed on one sheet of Toshi paper and presented in an accordian fold, with the original presentation wrapper. Eekman was born in Brussels and settled in Paris in 1920. He exhibited widely in Europe and was quite friendly with Mondrian and Signac. He was very active as a painter and woodblock artist and also showed his prints in Pittsburgh, Los Angeles, Toronto and Chicago. (There's a wonderful web site which has been organized by the artist's daughter, Luce: nicolaseekman.com.) As seen in the work of Henri van Straten, Victor Delhez and Nicolas Eekman, among others, a macabre and thoroughly captivating sense of humor often pervades Belgian aesthetics during the 1920s and 1930s. James Ensor is best known and certainly an early inspiration, but there were many other printmakers whose work stands out. This is particulary evident in the woodcut medium and Eekman's version of "danse macabre" is exemplary.
$1,750

Man Planting in a Garden -  EEKMAN

Man Planting in a Garden
NICOLAS (NICO) EEKMAN
Belgian, (1889-1973)
Woodcut, 1920s, edition 96. 7 7/8 x 8 3/4 in. Signed and numbered in pencil. Also, this impression has the artist's red ink monogram in the lower left corner. Here we have a superb, rich impression printed on thin Japanese paper. The margins appear to be full. The condition is very good other than traces of old adhesive in the four margin corners, verso, from an early mount.
$700

Hawthorn Branches in a Vase with the Coat of Arms of Amsterdam and Haarlem (Takken Meidoorn in een vase met het...) -  EVERBAG

Hawthorn Branches in a Vase with the Coat of Arms of Amsterdam and Haarlem (Takken Meidoorn in een vase met het...)
FRANS EVERBAG
Dutch, (1877-1947)
Etching and aquatint printed in colors, probably 1930s, Vervoorn 103, edition unknown. 13 1/2 x 9 3/4 in. Signed in pencil, lower right. this is a fine impression in fine condition. The margins are full. A catalogue raisonné was published in conjunction with a retrospective in 1988 at the Museum Kempenland.
$850

White Tulips in Chinese Ginger Jar (Witte Tulpen in Chinse Gemberpot) -  EVERBAG

White Tulips in Chinese Ginger Jar (Witte Tulpen in Chinse Gemberpot)
FRANS EVERBAG
Dutch, (1877-1947)
Etching and aquatint printed in colors, undated (probably done in the 1930s), Not in Vervoorn, edition at least 38. 10 1/2 x 14 3/4 in. Signed in pencil, lower right. Inscribed "38" in pencil, lower left, most likely a reference to the edition. This is a fine impression printed on sturdy wove paper. The margins are good and the condition is good. There's some skinning in the top margin and darkening to the margins from having been mounted in a mat. Some foxing on the verso. This is a large and stunning work of a quintessential Dutch subject.
SOLD

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