American Prints

Pages: < back [ 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 ] next >

Memory -  WENGENROTH

Memory
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1971, Stuckey 336, edition 60. 14 3/8 x 10 3/4 in. Signed and titled in pencil. This is a fine impression in fine condition with full margins. Here we have outstanding example of his work.
SOLD

Summer Dusk -  WENGENROTH

Summer Dusk
STOW WENGENROTH
American, (1906-1977)
Lithograph, 1932, Stuckey 27, edition 54. 7 1/4 x 12 3/4 in. Signed in pencil. This is a fine impression with full margins. Very good condition; faint toning within an earlier mat opening. THe subject here is Eastport, Maine.
SOLD

Snow Swept -  WEST

Snow Swept
LEVON WEST
American, (1900-1968)
Etching, 1929, edition 100. 9 1/2 x 12 3/4 in. Signed, titled and numbered in pencil. This is a fine impression with full margins. The condition is very good apart from faint light toning within an old mat opening. West specialized in exactly this kind of imagery; men on horseback facing the elements. In 1962 he was awarded the Theodore Roosevelt Rough Rider Award by the Governor of Montana.
$650

The Unsafe Tenement -  WHISTLER

The Unsafe Tenement
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1858, Kennedy 17 (iv/IV); edition unknown. 6 1/8 x 8 7/8 in. Signed in the plate. This is a very fine impression printed on thin Japanese paper. The condition is fine. The margins measure about 1" along the sides and bottom and 1/2" along the top. With the initials verso in pencil, "EW"; not in Lugt.
SOLD

Black Lion Wharf -  WHISTLER

Black Lion Wharf
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1859, Glasgow 54 (iv/IV), Kennedy 42 (iii/III); edition unknown. 6 x 8 7/8 in. Signed and dated in the plate, lower right. This is an especially fine, crisp impression printed on light cream laid paper. The margins are substantial measuring about 5/8" to 3/4" and the condition is fine. Printed with light plate tone, this very pleasing impression is exemplary for this celebrated plate from the Thames Set. Whistler was fond of this plate and the image appears on the wall in the background of his iconic painting, "Arrangement in Gray and Black, No. 1; Portrait of the Artist's Mother."
SOLD

Annie -  WHISTLER

Annie
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1857-58, Kennedy 10, (iv/V), edition unknown. 4 3/4 x 3 1/8 in. Signed in the plate. This is a fine, early impression of the penultimate state printed on gold-toned chine applique. The margins are wide. The condition is very good apart from a very faint suggestion of discoloration from a previous mat opening and tape reside in places, verso, not affecting the image in any way. Fourth state impressions are far more desirable than final state impressions.
$2,400

The Beggars -  WHISTLER

The Beggars
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching and drypoint, 1879-1880, Kenedy 194 (ix/IX), Glasgow 190 (xvii/XVII); 57 known impressions cited in Glasgow. 12 x 8 1/4 in. Unsigned. This is a very fine, dramatic impression printed in 1903 by Frederick Goulding. The paper is a cream, fine laid with a strasbourg lily watermark. The margins appear to be full and untrimmed. "The Beggars" is from Whistler's First Venice Set (A Series of Twelve Etchings). The Glasgow online catalogue of Whistler's etchings does a remarkable job sorting through the seventeen described states which is considerably more than the nine listed by Kennedy. Frederick Goulding, the master printed, was asked to fill out the edition of this print not long after Whistler died. (Goulding printed 22 proofs to complete the project.) Our impression is inscribed on the verso in ink, "F. Goulding, Printer, Nov. 27, 1903." The Glasgow catalogue states, "These last proofs, closely modelled on Whistler's, are fine examples of Goulding's work, dramatic in their use of ink tone to enhance the etched lines. They show the plates had survived in fine condition, and draw to an end the epic history of Whistler's Beggars." The plate was subsequently cancelled.
SOLD

Vauxhall Bridge -  WHISTLER

Vauxhall Bridge
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1861, Kennedy 70, (ii/II), edition unknown. 2 3/4 x 4 1/2 in. Signed and dated in the plate. This is a fine, crisp impression printed with light plate tone. The condition is very good and the margins are wide. This impression is printed on a laid paper with a partial crown and shield watermark.
SOLD

Seymour Standing Under a Tree -  WHISTLER

Seymour Standing Under a Tree
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching with drypoint, 1859, Kennedy 31, (ii/III); edition unknown. 5 1/4 x 3 7/8 in. Signed in the plate. This is a fine, early impression of the second state of three printed on thin Japanese paper. The margins are wide and probably full. The condition is also fine. This early print is described by Katharine Lochnan as, "Whistler's first landscape etching." (See: The Etchings of James McNeill Whistler, Yale University Press, 1984; page 69.)
$3,200

The Little Mast -  WHISTLER

The Little Mast
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching and drypoint, 1879-1880, Glasgow 196 (v/VIII); Kennedy 185 (iv/IV), edition 50. 10 1/2 x 7 1/4 in. Signed in the plate with the butterfly, upper right. Signed on the tab, lower left, with the pencil butterfly and "imp." This is a very fine impression printed in dark brown ink on cream-colored laid paper. There's a partial Strasbourg Lily watermark showing which appears to be # 301 in the Art Institute of Chicago catalogue of the lithographs. The condition is excellent apart from traces of two old paper hinges on the right side, verso, which are inconsequential. The printed surface is pristine. This outstanding Venice etching was published in the First Venice Set.
$13,500

The Kitchen -  WHISTLER

The Kitchen
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1858, Glasgow 16 (ii/III), Kenedy 24 (ii/III); 67 impressions are recorded in the Glasgow catalogue. 8 7/8 x 6 1/8 in. Signed in the plate in the lower right. This is a very fine impression printed with plate tone on chine appliqué. The margins are substantial measuring about 1 1/8" to 1 1/2" in. The condition is fine apart from a very faint suggestion of toning within an earlier mat opening and traces of an old adhesive, verso, along the top edge of the sheet. This outstanding early work by Whistler was published in the "French Set" in this state with the name and address of the printer in the lower right ("Imp. Delâtre. Rue St. Jacques. 171."). An impression of the first state has not been located by the Whistler Etchings Project. Thirty-nine impressions of this important etching are listed in museum collections and today it's considered to be an uncommon print.
$9,000

Title page for the French Set (Douze Eaux Fortes d'après Nature) -  WHISTLER

Title page for the French Set (Douze Eaux Fortes d'après Nature)
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1858, Glasgow 22, Kennedy 25; (only state), edition unknown. 4 3/8 x 5 5/8 in. Signed, dated and titled in the plate. Dedicated to Seymour Haden with "a Mon Viel Ami." This is an especially fine impression printed on light cream laid paper with full margins. (The watermark, Britannia, is listed as #60 (lifetime impressions) in the Art Institute volume II on Whistler's lithographs.) The condition here is very fine. Glasgow cites 56 known impressions which makes this an uncommon print. The initials "RB" appear on the verso in ink which is not listed in Lugt.
$2,200

Little Evelyn -  WHISTLER

Little Evelyn
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Lithograph, 1896, Art Institute of Chicago 146, Levy 159; from the pencil signed edition of 21(?). 7 x 4 3/4 in. Signed on the stone with the butterfly monogram. Signed in pencil below the image, also with the butterfly. This is a superb, lifetime impression printed on a light cream Japanese paper. The margins appear to be full and untrimmed. The condition is very good. On the verso is the square Birnie Philip stamp (Lugt 405). This lovely and popular print was published in The Art Journal in an edition of about 3,000 impressions. There was also a posthumous edition by Goulding of 16 impressions printed in 1903. This is a portrait of the daughter of Whistler's longtime friend, David C. Thomson.
$5,000

Long Venice -  WHISTLER

Long Venice
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching with drypoint, 1879-80, Glasgow 211 (viii/VIII); Kennedy 212 (v/V), edition 36. 5 x 11 15/16 in. Signed in the plate with the butterfly. Signed in pencil on the tab, lower left. This is a very fine impression printed on cream laid paper without a watermark. The condition is excellent. This exceptional panorama of the Grand Canal was published by Messrs Dowdeswell and Thibaudeau as part of "A Set of Twenty-six Etchings" (the 'Second Venice Set') in 1886.
SOLD

Old Battersea Bridge -  WHISTLER

Old Battersea Bridge
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Lithograph, 1879 and 1887, Art Institute of Chicago 18 (ii/II), Levy 24,; edition 100. 5 7/8 x 13 in. Signed on the stone with the butterfly signature at left. This is a fine, nicely inked impression printed on greyish chine applique. The margins are wide and the condition is very good apart from faint toning at the extreme edges of the wove support sheet. This impression was published in a portfolio called "Art Notes," printed by Way and published by Boussod, Valadon and Co in 1887.
$5,000

Longshore Men -  WHISTLER

Longshore Men
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1859, Glasgow 52 (iii/IV); Kennedy 45 (i/I), edition unknown. 6 x 8 7/8 in. Signed and dated in the plate, lower right. This is a fine, crisp impression printed without much plate tone. The paper is Japanese and the margins are probably full and untrimmed. Very good condition apart from a couple of ink smudges in the margin and two other tiny spots of discoloration. In this, the third state, the verticle lines through the hat of man in the back with the pipe have yet to be removed. This successful print was never part of a published set, i.e. the Thames Set, even though it fits nicely within that theme.
$2,500

Limehouse -  WHISTLER

Limehouse
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching and drypoint, 1859, Glasgow 48 (vi/VI), Kennedy 40 (iii/III), edition unknown. 5 x 8 in. Signed and dated in the plate, lower right. This is a fine, dark impression of the final state, before cancellation. The paper is a cream-colored fibrous, thin Japanese. The condition is very good apart from slight lightening of the paper within an earlier mat opening. This print was published as part of Whistler's celebrated Thames Set in 1871. The plate was cancelled around 1894-95.
$4,000

Fumette -  WHISTLER

Fumette
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1858, Glasgow 12 (v/V), Kennedy 13 (iv/IV); edition unknown. 6 1/2 x 4 3/8 in. Signed in the plate lower right. This is a fine impression printed on off-white laid paper. The margins are wide and the condition is quite good other than for a very faint suggestion of toning from an early mat opening. "Fumette," ("Eloise"); a working girl, a young seamstress or milliner, described in the Glasgow catalogue as a "grisette." She was also known to be a woman of vivid and fiery character.
$1,650

Eagle Wharf -  WHISTLER

Eagle Wharf
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1859, Glasgow 50 (i/I), Kennedy 41 (i/I); edition unknown. 5 7/16 x 8 3/8 in. Signed and dated in the plate. This is a superb, dark impression printed on light cream laid paper. The margins are wide and probably untrimmed. The condition is fine apart from a few tiny, incidental losses here and there at the sheet edges. This stellar print was published as part of the Thames Set. Eagle Wharf was in Wapping on the River Thames in London.
$5,500

En Plein Soleil (In Full Sunlight) -  WHISTLER

En Plein Soleil (In Full Sunlight)
JAMES A. MCNEILL WHISTLER
American, (1834-1903)
Etching, 1858, Glasgow 11 (iii/III); Kennedy 15 (ii/II); edition unknown. 4 x 5 1/4 in. Signed in the plate, lower left. This is a fine impression printed on chine appliqué. The margins are wide measuring about 3 to 3 1/2 inches around. The condition is very good apart from minor staining at the upper edge of the top margin and along the extreme left edge. As indicated in the plate, this impression was printed by Delatre in Paris and was published as part of Whistler's French Set.
SOLD

Pages: < back [ 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 ] next >

top of page


William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: 919-294-8228 - CELL: (413) 221-2383

E-mail: WPCARL@aol.com