European Prints

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Notre Dame as seen from the Quay de Montebello (Notre Dame vue de Quai de Montebello) -  LEPERE

Notre Dame as seen from the Quay de Montebello (Notre Dame vue de Quai de Montebello)
AUGUSTE LEPERE
French, (1849-1918)
Etching, 1901, Lotz-Brissonneau 125 (ii/II), edition 40. 7 3/8 x 10 3/4 in. Signed in pencil. This is a fine impression printed on a cream wove paper and published by Sagot. The margins are full. The image is slightly light struck within an early mat opening. There's a red collectors mark in the lower right corner of the sheet which we have yet to identify.
$700

Départ pour la Chasse à Courre (Leaving for the Hunt) -  LUNOIS

Départ pour la Chasse à Courre (Leaving for the Hunt)
ALEXANDRE LUNOIS
French, (1863-1916)
Lithograph printed in colors, 1893, Not listed in I.F.F., Johnson 73, edition 100. 10 1/2 x 17 in. Signed and numbered in pencil. This is a fine, fresh impression printed on thin white wove paper. The margins are full. The condition is fine other than for a tiny speck (ink?) in the lower left below the image. From the collection of Henri M. Petiet (Lugt 5031). (Note: We are offering with the above an impression of the unfinished print done in black and white only and a color proof with variant inking, both with slight condition issues.) This print was published by Vollard for l'Album d'Estampes Originales de la Galerie Vollard.
$1,800

Tennis Players (Joueuses de Tennis) -  LUNOIS

Tennis Players (Joueuses de Tennis)
ALEXANDRE LUNOIS
French, (1863-1916)
Lithograph printed in colors, circa 1895-1900, edition probably 100. 15 x 19 7/8 in. Signed in pencil, lower right. This is a fine impression with fresh, vibrant colors. The paper is a thin Japanese and the margins are full. The condition is fine. Lunois excelled in the medium of color lithography and he produced some of the best work in France during the fin de siècle era.
$1,800

Woman Crouching from the Back (Femme Accroupie de Dos) -  MAILLOL

Woman Crouching from the Back (Femme Accroupie de Dos)
ARISTIDE MAILLOL
French, (1861-1944)
Lithograph, 1925, Guérin 283, edition 100. 9 1/4 x 5 1/2 in. Signed in pencil with the artist's initial "M." Here we have a fine impression printed on smooth wove paper. The margins are full. The condition is very good apart from faint toning in the extreme edges of the sheet and a slightly toned area on the verso. This exemplary figurative work was published by Albert Morancé, Paris.
$900

Lola de Valence -  MANET

Lola de Valence
EDOUARD MANET
French, (1832-1883)
Etching and aquatint, 1863, Harris 33 (vi/VIII), Guérin 23, Fisher 25; edition unknown. 10 1/4 x 7 1/16 in. Signed in the plate, lower left and also with the printed signature below. This is a fine impression printed on cream laid paper with no apparent watermark. The sheet has apparently the full margins and the condition is fine other than for two subtle hinges on the left edge verso, not showing on the front. According to Harris (revised edition, 1990), there were two different 1863 printings of this plate, this one for the Société des Aquafortistes, the first published printing (1863). "Imp. Delâtre, rue Saint-Jacques, 363, Paris," appears to the left of the printed verse, "Paris, Publié par A CADART & LUQUET, Editeurs, 79 Rue Richelieu" appears in the lower right, just below the image. The Cadart & Luquet blindstamp is also present in the lower margin, center. Number "67" appears in the upper right which refers to this as Plate 67 of Eaux-fortes modernes, 2nd year, 2nd issue. (The second printing lacks the the words"Ed.Manet sculpt.") The subject of this lovely print is Lola Melea who was a principal dancer with the Royal Ballet of Madrid. The Ballet appeared in Paris in 1862 at the Hippodrome theatre and Manet asked the dance troupe to pose for him. He also executed an oil painting of the same subject as well as a lithographic sheet music cover. The painting is now in the Musée d'Orsay in Paris.
$3,500

Exotic Flower (Woman in a Mantilla) Fleur Exotic (La Femme a la Mantille) -  MANET

Exotic Flower (Woman in a Mantilla) Fleur Exotic (La Femme a la Mantille)
EDOUARD MANET
French, (1832-1883)
Etching and aquatint, 1868, Harris 57 (iii/III), edition of 350 on laid paper plus 36 extra proofs. 6 7/8 x 4 5/8 in. Signed in the plate, lower left. This is a very fine impression with full margins. The condition is also fine. This charming print was published by Lemerre in 1869. Philippe Burty asked Manet to provide this etching for his Sonnets et Eaux-fortes. There was only one published edition of this print and they are all lifetime impressions. It was exhibited at the Salon of 1869.
$2,200

Nude in a Rocking Chair (Nu au Rocking Chair) -  MATISSE

Nude in a Rocking Chair (Nu au Rocking Chair)
HENRI MATISSE
French, (1869-1954)
Lithograph , 1913, Duthuit-Garnaud 410, Fribourg 368; edition 50. 19 1/2 x 11 1/2 in. Initialed on the stone, lower right. Signed and numbered in ink, lower right. This is a superb impression printed on cream colored simili-Japan paper. The sheet is full and untrimmed. The condition is very good. This exemplary, early work is from the celebrated collection of Henri M. Petiet and bears his stamp (H.M.P.) on the verso.
$12,000

The Orchestra -  MAURIN

The Orchestra
CHARLES MAURIN
French, (1856-1914)
Etching and aquatint printed in colors, 1893, Gounot 59, edition 100. 5 3/8 x 8 5/8 in. Signed in the plate, lower left. Signed and numbered in blue pencil. This is a fine, rich impression with wide margins. The condition is very good apart from a suggestion of damp staining in the upper right margin. Impressions of this lovely print are in the Clark Art Museum and the Ackland Art Museum.
$1,400

La Coiffure -  MAURIN

La Coiffure
CHARLES MAURIN
French, (1856-1914)
Soft-ground etching with aquatint printed in colors, circa 1900-1910, edition 50. 12 3/4 x 7 3/4 in. Signed and numbered in pencil. This is a fine impression with the colors fresh. The margins are full and the condition is excellent. Maurin's superb and experimental color printmaking is illustrated and discussed in From Pissarro to Picasso, Color Etching in France (1992) by Cate and Grivel. He worked closely with Eugène Delâtre and the publishers Sagot and Vollard.
$1,200

La Galerie Notre Dame -  MERYON

La Galerie Notre Dame
CHARLES MERYON
French, (1821-1868)
Etching with engraving, 1853, Schneiderman 29 (iii/VI), Delteil-Wright 26 (iii/V); edition unknown. 11 x 6 7/8 in. Signed and dated in the plate. This is a superb, early, luminous impression of the very rare third state, before the the top borderline has been strengthened. The margins are full and the paper is a fine laid without a watermark. The condition is excellent other than for a modest little spot of discoloration in the lower margin and a tiny paper loss in the upper right corner of the sheet. This iconic image by Meryon is one of his finest prints. This impression is from the celebrated collection of Henri M. Petiet, Paris, and bears his stamp on the verso, lower left.
$8,000

L'Ancien Louvre, Paris (The Old Louvre, Paris, after Zeeman) -  MERYON

L'Ancien Louvre, Paris (The Old Louvre, Paris, after Zeeman)
CHARLES MERYON
French, (1821-1868)
Etching, 1865-66, Schneiderman 96 (v/VI), Delteil-Wright (v/VI); edition unknown. 6 1/2 x 10 1/2 in. Unsigned. This is a fine impression printed on sturdy wove paper. The margins are wide. The condition is very good apart from toning along the top edge, verso, from an early adhesive and minor toning along the extreme bottom edge, verso. According to Delteil/Wright, "Meryon etched this plate from a painting by Zeeman in the Louvre, as a commission from the French Government, shortly before his second and final term in the asylum at Charenton, two years before his death. The etching was done on the back of the cancelled plate of the Petit Pont." This lifetime impression is from the collection of Alfred Morrison (Lugt 151). Morrison (1821-1897) was a prominent collector of his time.
SOLD

La Tour de l'Horloge (The Clock Tower) -  MERYON

La Tour de l'Horloge (The Clock Tower)
CHARLES MERYON
French, (1821-1868)
Etching with engraving, 1852 and later, Schneiderman 23 (iv/X), Delteil-Wright iv/X); edition unknown. 10 1/4 x 7 1/4 in. Initialed in the plate, upper right. This is a superb, luminous impression on cream laid paper with the watermark "D & C BLAUW." The margins are good measuring about 3/4" on all sides. The condition is fine other than for a tiny, imperceptible pinhole/paper imperfection in the smoke between the clock tower and the first turret. This stellar impression is from the collection of Sir Francis Seymour Haden (Lugt 3938) with his pencil initials on front of the sheet, lower right. Delteil-Wright notes that Haden purchased a fifth state impression from Delâtre for the Victoria & Albert Museum in December, 1860.
$7,500

Paysage Feocial -  MEUNIER

Paysage Feocial
HENRI MEUNIER
French, (1873-1922)
Etching with aquatint, 1901, edition unknown. 10 1/8 x 15 3/8 in. Signed and dated in the plate and signed in pencil below the image at right. A superb, atmospheric impression in very good condition. Full margins. Minor soft handling creases in the margin at right. This stunning landscape with castle is a fine example of style and technical finesse from the early 20th century
SOLD

Man Leaning on a Spade (L'homme Appuye sur sa Beche) -  MILLET

Man Leaning on a Spade (L'homme Appuye sur sa Beche)
JEAN-FRANCOIS MILLET
French, (1814-1875)
Etching, before 1848, Melot 3, Delteil 3; only state. Edition unknown. 3 1/4 x 2 11/16 in. Unsigned as usual. This fine, crisp impression is printed on medium Japanese paper. The margins are full measuring about 1" to 1 3/4" all around. The condition is excellent. This appealing, early work by Millet foreshadows his larger more detailed work of similar peasant subjects shown laboring in the fields. The edition sizes of Millet etchings are generally unknown.
$1,850

Musical Monster -  MORTIMER

Musical Monster
JOHN HAMILTON MORTIMER
British, (1740-1779)
Etching, 1778, Edition unknown. 9 3/8 x 6 3/4 in. Signed in the plate. A fine impression printed prior to the edition by T. Palser in 1816. Very good condition other than a small waterstain in the lower left margin corner, well away from the image. Full margins with a deckle all around. Without watermark.
$750

North Sea Fishermen -  NORDFELDT

North Sea Fishermen
BJO NORDFELDT
American, (1878-1955)
Woodcut printed in colors, 1906, Donovan 11, edition unknown. 9 x15 in. Signed, dated and numbered "52" in ink in the upper left corner of the image. This is a fine impression on Japanese paper of this large, dynamic print. The condition is fine with the typical small margins on all sides. Like virtually all of Nordfelfdt's prints, color variations exist and this one is especially good looking. The influence of Japanese prints is here clearly evident. The catalogue states this is the Swedish coast off Kulaberg.
$7,000

Reclining Female Nude (Liegender Weiblicher Akt) -  ORLIK

Reclining Female Nude (Liegender Weiblicher Akt)
EMIL ORLIK
Czech, (1870-1932)
Drypoint, 1911, Galerie Glockner 176, edition 100 printed in 1921. 6 1/2 x 14 3/4 in. Signed and dated in pencil (1911). This is a fine impression on cream wove paper. The margins are probably full and the condition is quite good apart from minor handling creases showing mostly in the bottom margin. Orlik was a versatile printmaker and this classic study demonstrates his skills as a draftsman par excellence.
$1,300

Royal Haymarket Theatre (London) -  PENNELL

Royal Haymarket Theatre (London)
JOSEPH PENNELL
American, (1857-1926)
Etching, 1906, Wuerth 408, edition probably 75. 11 x 7 7/8 in. Signed in pencil. Here we have a fine impression printed on antique laid paper. The margins are probably original but there's a loss in the lower right corner and the margin is narrow at the top. The condition is fine overall. (There's a subtle printing crease in the right side of the image.) Haymarket Theatre is a West End theatre and dates to 1720.
$550

Eglise d'Osny, Pres Pontoise -  PISSARRO

Eglise d'Osny, Pres Pontoise
CAMILLE PISSARRO
French, (1830-1903)
Etching, drypoint and aquatint, 1885, Delteil / Cailac 62 (iv/IV), edition 50. 4 3/4 x 6 1/4 in. Not signed in the image. This is a fine impression from the only posthumous edition of 50 printed in 1920. (There were only 12 lifetime impressions.) The margins are full and the condition is excellent. The print bears the posthumous stamp (Lugt 613) and is numbered. Given the rarity of so many of Pissarro's lifetime editions, later printings are a welcome opportunity for collectors who enjoy his work.
$3,750

Porteuses de Fagots (Women Carrying Bundles of Sticks) -  PISSARRO

Porteuses de Fagots (Women Carrying Bundles of Sticks)
CAMILLE PISSARRO
French, (1830-1903)
Lithograph, 1896, Delteil/Cailac 153, edition 24. 9 x 11 3/4 in. Signed, numbered and titled in violet pencil. This is a superb, rich impression printed on chine appliqué. The margins are full and the condition is fine other than for two old hinges, verso, at top. This is one of Pissarro's largest and most beautiful lithographs. This work was published in 1896 for Les Temps Nouveaux and there was an additional unsigned "de luxe" printing of twenty impressions. This impression is from the earlier printing of twenty-four signed and numbered impressions, six of which were printed on chine appliqué. (There were also seven artist's proofs). Our impression is from the celebrated collection of Henri M. Petiet (Lugt 5031).
SOLD

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William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: (919) 294-8228 - CELL: (413) 221-2383
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