Dutch & Belgian Prints

Pages: < back [ 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 ] next >

Clown et Accordéon -  JESPERS

Clown et Accordéon
FLORIS JESPERS
Belgian, (1889-1965)
Etching, 1928, Carpentier-Lebeer 32, edition 100. 9 1/4 x 5 3/4 in. Signed and dated in the plate, lower left. Signed, titled and numbered in pencil below the image. This is a fine impression in fine condition. Full margins. This is a fine example from his celebrated series of clown prints. Many oils were done in addition to the prints and several impressions were hand colored by the artist.
$1,400

Clown jean (Clown assis) -  JESPERS

Clown jean (Clown assis)
FLORIS JESPERS
Belgian, (1889-1965)
Etching, 1927-28, Carpentier-Lebeer 8, edition 100. 10 1/2 x 8 1/16 in. Signed in the plate and signed, titled and numbered in pencil. This is a fine impression in fine condition. The margins are full. Jespers liked to print on a fine cream colored wove paper. The artist actively exhibited his prints throughout his life and most of them are from the 1920s to mid 1930s. He did a small group of lithographs and woodcuts as well.
$1,600

Dutch Town View -  JONG

Dutch Town View
GERM DE JONG
Dutch, (1886-1967)
Lithograph, 1916, edition unknown. 12 1/2 x 7 3/4 in. Signed on the stone and signed and dated in pencil. This is a very good impression other than a couple minor printing creases which are barely noticeable. Narrow margins. De Jong was a fine lithographer as well as a painter. Town views such as this are typical and this is an early work.
$500

Canal de Holland, près de Rotterdam (Canal in Holland, Near Rotterdam) -  JONGKIND

Canal de Holland, près de Rotterdam (Canal in Holland, Near Rotterdam)
JOHAN BARTHOLD JONGKIND
Dutch, (1819-1891)
Etching, 1875, Melot J19 (iii/VI), edition unknown. 6 1/4 x 9 3/8 in. Signed and dated in the plate,lower right. This is a superb, luminous impression of this early state. The paper is a sturdy white laid bearing a partial illegible watermark. The margins are full with a deckle edge on all sides. The condition is excellent. Jongkind studied in the Hague and spent much of his time in Paris where he was a student of Eugène Isabey. He was friendly with Sisley, Boudin and also Monet and he quickly began to excel as a painter in the impressionist style. His etchings are quite painterly and early impressions such as this one convey his best achievements as a fine and underrated etcher.
$2,000

Jetée en Bois dans le Port de Honfleur -  JONGKIND

Jetée en Bois dans le Port de Honfleur
JOHAN BARTHOLD JONGKIND
Dutch, (1819-1891)
Etching, 1865, Melot J12 (ii/III), Delteil 12 ii/III), edition unknown. 9 1/2 x 12 1/2 in. Signed and dated in the plate. Titled below with the printed caption. This is a fine impression printed with plate tone. The margins are full and the condition is fine other than for a tiny paper imperfection or flaw above the three men standing at the left. This impression bears the watermark of the Société des Aquafortises and was published by Cadart and Luquet and printed by Delâtre. This print appeared in January 1866; the fifth selection for the fourth year (See Bailly-Herzberg, 1972, vol.I, pg 182.) Ex-collection: Henri M. Petiet, with his ink stamp verso.
$1,800

Untitled -  JOOSTENS

Untitled
PAUL JOOSTENS
Belgian, (1889-1960)
Lithograph, 1922, edition unknown. 14 x 7 7/8 in. Signed and dated on the stone. This is a fine impression printed on VAN GELDER ZONEN laid paper. The margins are full with a deckle edge all around. The condition is excellent apart from a couple of paper imperfections, somewhat visible near the image. Joostens prints are very rare. This work relates closely to his sculpture and collages for which he is best known. He was also a poet. He met Mondrian in Paris in 1919 and was close to Paul van Ostaijen and Floris Jespers. He personifies the Belgian contingent of the Dada movement and was active with Ca Ira, the Belgian monthly magazine devoted to avant-garde art, literature and politics. Also, his Dada publication "Salopes" appeared in 1922 and that imagery relates to this print. There was a major retrospective of Joostens work in 1989 at the Provinciaal Museum voor Moderne Kunst in Ostend. This print is from an important Dutch private collection.
$2,000

Dutch Children with Rabbit -  KONING

Dutch Children with Rabbit
EDZARD W. KONING
Dutch, (1869-1954)
Lithograph printed in colors, 1948, edition unknown. 13 3/4 x 18 1/2 in. Signed on the stone and also signed in pencil. A fine impression. Full margins. Minor rippling in the margins only.
$675

Le Christ et la Grandeur Humaine -  LANGASKENS

Le Christ et la Grandeur Humaine
MAURICE LANGASKENS
Belgian, (1884-1946)
Drypoint and etching, 1920s-1930s, edition 60. 17 5/8 x 5 in. Signed and titled in pencil. This is a superb, luminous impression in fine condition. The margins are full. So many of Langaskens prints convey a sense of spirituality and faith in a higher power. Images of work, cathedrals and Christ are often part of his imagery. He was a masterful etcher and often worked on a large scale.
$900

The Troubadour (Le Troubadour) -  LANGASKENS

The Troubadour (Le Troubadour)
MAURICE LANGASKENS
Belgian, (1884-1946)
Etching printed in colors with additional hand-coloring, 1920s, edition 150. 15 5/8 x 19 5/8 in. Signed and titled in pencil. This is a fine impression printed on off-white wove paper. The condition is very good apart from minor toning on the verso and a few spots of ink here and there, not affecting the front of the sheet. The margins are wide and possibly full. This large, dramatic work shows Langaskens at his best; a memorable composition, technical finesse and subtle use of color. There was an important 2003 exhibition and catalogue on the artist by Jan Dewilde, and others, and much of the work was from the Flanders Fields Museum in Belgium and other Belgian collections. No proper catalogue on the prints currently exists but most are listed in this publication. (ISBN 90-5349-480-4)
$1,750

Portrait of Jan Toorop -  LEBEAU

Portrait of Jan Toorop
CHRIS LEBEAU
Dutch, (1878-1945)
Lithograph, 1914, edition unknown. 10 1/2 x 11 in. Signed and dated on the stone and signed in pencil. A fine impression on thin Japanese paper. Full margins. Fine condition. Lebeau was a decorative artist, a lithographer, illustrator and painter. This superb portrait demonstrates his outstanding skills as a draughtsman.
SOLD

Mei -  LION CACHET

Mei
CARL ADOLPH LION CACHET
Dutch, (1864-1945)
Lithograph printed in colors, 1899, 13 x 9 1/4 in. Unsigned. The month of May from the calendar published in 1899 by Scheltema & Holkema, Amsterdam, including work by Dijsselhof and also Nieuwenhuis. This is a fine impression of this very rare work; a stellar example of Dutch art and design from "De Nieuwe Kunst" era. In very good condition apart from three small tears just to the image in the upper right corner. The colors are fresh. A complete example of this famous art nouveau calendar is located in the Gemeentemuseum, The Hague. This important calendar is illustrated and discussed in Holland on Paper in the Age of Art Nouveau (2014) by Cliff Ackley. Ex-collection: Hendrik Petrus Berlage (1856-1934), the celebrated architect and designer.
$1,500

Diploma for the International Exhibition of the Book and Related Trades -  LION CACHET

Diploma for the International Exhibition of the Book and Related Trades
CARL ADOLPH LION CACHET
Dutch, (1864-1945)
Woodcut, 1892, (this impression from the 1919 edition). 14 1/4 x 25 1/2 in. A fine impression on thin Japanese paper issued as a supplement in the wood engraving issue of Wendingen. In very good condition (with the usual creases from having been folded as issued). Full margins. This remarkable print is a pivotal art nouveau design done in Amsterdam during the 1890s. It's illustrated and discussed at length in Van Gogh to Mondrian; Dutch Works on Paper (2000)
$1,500

Seated Man before a Stove (Zittende Man voor Potkachel) -  LOEBER

Seated Man before a Stove (Zittende Man voor Potkachel)
LOU LOEBER
Dutch, (1894-1983)
Linoleum cut, circa 1926, edition 75. 11 7/8 x 9 3/4 in. Initialed in the block, lower right. Signed and numbered in pencil. This is a fine impression printed on thin Japanese paper. The margins are full. The condition is very good apart from minor soft wrinkles here and there in the margins. This stellar Dutch modernist image exemplifies De Stijl aesthetics and it's one of Loeber's best prints. This print is illustrated on page 36 of "Gedroomd Papier, Tekeningen en Prenten 1850-1935" by Ton Geerts (2010). Louise Marie 'Lou' Loeber studied at the Rijksacademie in Amsterdam from 1915-1918. Mondrian was a big influence along the way as was Bart van der Leck (who became a neighbor of hers in Blaricum.) In 1931, she married the artist Dirk Koning (1888-1978) whose work was somewhat similiar. Loeber's early prints are rare.
SOLD

Reading (Lezende) -  LOEBER

Reading (Lezende)
LOU LOEBER
Dutch, (1894-1983)
Linocut, 1930, edition 75. 8 x 7 in. Signed and numbered in pencil and initialed in the block. This is a fine impression printed on thin Japanese paper. The sheet has been archivally mounted to a heavier support sheet and there's an earlier (archival?) hinge across the top edge of the sheet. The margins are wide and probably full. Louise Marie "Lou" Loeber was an outstanding Dutch modernist graphic artist and painter. She was married to the artist Dirk Koning. Her work shows the influence of Mondriaan and the other De Stijl artists. She was greatly influenced by Kandinsky as well. Her prints are not so common.
SOLD

View of Brussels from a Window -  LOGELAIN

View of Brussels from a Window
HENRI LOGELAIN
Belgian, (1889-1968)
Lithograph printed in colors, undated (1920s), edition unknown. 10 1/4 x 11 3/4 in. Signed on the stone with the monogram. A fine impression on tan paper. Full margins. Backed with a support sheet otherwise fine. Possibly a proof impression before text. A fine combination of color and design.
$900

Composition # 12 -  MAES

Composition # 12
KAREL MAES
Belgian, (1900-1974)
Linoleum cut, 1924, Museum Felix de Boeck retrospective (2007), page 205, edition unknown. 7 7/8 x 6 1/4 in. Signed and dated in the lower right with the printed signature, "KAREL MAES, 12/1924" and numbered in the lower left. This is a superb impression of this rare and exemplary work. The margins are full and the condition is very good. (There's light foxing in the upper left part of the sheet, slightly showing in the image.) Maes is one of the preeminent Belgian modernists and was closely associated with Jozef Peeters, Pierre-Louis Flouquet, Rene Magritte and Victor Servranckx, among others. This work is from his best period and his paintings of this era also focus on geometric abstraction. Most of his linoleum cuts were published in journals in the 1920s in black and white only. From 1922 onward, Maes began to design furniture, carpets, and posters.
SOLD

Shadows (Des Ombres) -  MASEREEL

Shadows (Des Ombres)
FRANS MASEREEL
Belgian, (1889-1972)
Linoleum cut, 1953, Vorms & von der Gabelentz D155, edition 25. 7 1/16 x 9 7/8 in. Initialed and dated in the plate. Signed, numbered, titled and dated in pencil. This is a fine impression in excellent condition. The margins are full. This work was issued as a separate print and was never found in any book editions like so many of the artist's prints. Masereel is probably the best known Belgian expressionist printmaker and he was quite prolific. The signed prints, however, are increasingly hard to find since they were done in very small editions. This is a very good example of his work from the 1950s.
$1,200

Ecce Homo -  MASEREEL

Ecce Homo
FRANS MASEREEL
Belgian, (1889-1972)
Woodcut, 1927, Vorms / von der Gabelentz 49, edition 22. 15 3/4 x 11 5/8 in. Initialed and dated in the block. Signed, dated, titled and numbered in pencil. This is a superb impression of this rare early work, printed on cream wove paper. The margins are full. The condition is excellent apart from minor handling marks in the outer margins only. (The printed surface is pristine.) Masereel was one of the preeminent Belgian expressionist printmakers. He was prolific and most of his prints were small and published in books. Large, early, pencil signed works such as this are very hard to find today.
$3,800

Men Scything (Les Faucheurs) -  MASUI-CASTRIQUE

Men Scything (Les Faucheurs)
PAUL-AUGUSTE MASUI-CASTRIQUE
Belgian, (1888-1981)
Lithograph, 1930s, edition 50 9 x 8 5/8 in. Signed in pencil, lower right. This is a fine dark impression printed on VAN GELDER ZONEN cream laid paper. The margins are full and the condition is excellent. This print is from the set of six lithographs called "Les Faucheurs". Masui-Castrique was a stellar draughtsman and was essentially self-taught as a painter and printmaker. He was active as an illustrator for such works as La Legende de Thyl Ulenspiegel and La Vielle Flandre. Furthermore, on the diplomatic front, he was the Belgian ambassador to London from 1915-1919. Other works from this series are currently available.
$450

Boats in the Harbor -  MASUI-CASTRIQUE

Boats in the Harbor
PAUL-AUGUSTE MASUI-CASTRIQUE
Belgian, (1888-1981)
Etching and aquatint printed in colors, undated (circa 1915-1920), edition 200. 11 5/8 x 15 1/2 in. Signed and numbered in pencil. This is a stellar, atmospheric impression printed a la poupée on a cream wove paper. The margins are full and the condition is fine. Masui (as he was know) was a painter, pastelist and printmaker. He was member of le la Société Royale Belge des Aquarellistes (1913). His graphic work is decidely painterly by nature and a large collection of his prints, almost complete, is in the Cabinet des Estampes in Brussels. Masui did many book illustrations, as well, including works for the celebrated Légende de Thyl Ulenspiegel.
SOLD

Pages: < back [ 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 ] next >

top of page


William P. Carl Fine Prints

P.O. Box 14688, Durham, NC 27709
TEL: 919-294-8228 - CELL: (413) 221-2383

E-mail: WPCARL@aol.com