Abandoned Quarry, Rockport
Lithograph, 1936, Flint 129, edition 20. 14 x 10 7/8 in. Initialed on the stone, lower right. Signed and dated in pencil. This is a fine impression with full margins. The condition is fine apart from old hinges at the top corners. According to the catalogue, Lozowick spent several summers at Rockport, MA. Quarrying for granite was a major industry for the town.
SOLD

Angry Skies (Andante Cantabile)
Lithograph, 1935, Flint 123. edition 250. 9 1/2 x 13 3/8 in. Initialed on the stone, lower left. Signed in pencil, lower right. This is a fine impression printed on white wove paper. The margins are trimmed a bit on the top and bottom but are still substantial enough. The condition is very good. This impression is from the 1948 edition published by Associated American Artists and printed by George Miller. There was a small edition of ten impressions printed in 1935.
$1,500

Birth of a Skyscraper
Lithograph, 1930, Flint 46, edition 25. 12 1/4 x 8 5/8 in. Initialed on the stone, lower right. Signed and dated in pencil. Titled in pencil in the lower left margin. This is a fine impression of this uncommon and exceptional print. The original price of $20 is written in the lower right margin. Impressions are located at the Zimmerli Art Museum at Rutgers and at the Smithsonian American Art Museum.
SOLD

Blast Furnaces (New Jersey)
Lithograph, 1929, Flint 16, edition 50. 7 1/2 x 14 1/2 in. Initialed in the stone, lower right. Signed and dated in pencil. Titled in the lower left margin. This is a fine impression with full margins. The condition is excellent. According to Flint, these blast furnaces may have been located near Dover, NJ, which was once considered the "Pittsburgh of New Jersey". In 1972, an additional five numbered impressions were printed by Burr Miller. The original edition was printed by George Miller.
$5,000

Brooklyn Bridge
Lithograph, 1930, Flint 48, edition 100. 13 x 7 7/8 in. Signed and dated in pencil. This is a fine, rich impression in excellent condition. The sheet is full and untrimmed. This iconic American print is uncommon in spite of the fairly large edition. This work is the cover illustration for Amerikanische Graphik 1913-1953 which was an important 1994 show of American prints in Europe.
SOLD

Corner of Steel Plant
Lithograph, 1929, Flint 21, from the 1972 edition of ten impressions. 11 1/2 x 7 3/4 in. Initialed on the stone with the artist's monogram. Signed and dated in pencil and inscribed "I/X." This is a fine impression in excellent condition. The margins are full. This potent, early print was printed in an early edition of 25 impressions.
SOLD

Debutante
Lithograph, 1930, Flint 53, edition 25. 14 1/2 x 11 in. Initialed on the stone, lower right. Signed and dated in pencil. This is a very fine impression printed on BFK RIVES paper. The margins are full and the condition is fine apart from minor wrinkles showing here and there in the extreme outer margins. This classic academic nude study shows the range of Lozowick's skills as a draughtsman.
SOLD

Distant Manhattan from Brooklyn
Lithograph, 1937, Flint 145, edition 200. 7 15/16 x 13 in. Signed and dated on the stone. This is a fine impression with full margins. The condition is excellent. This stellar image was published by the American Artists Group and printed by George Miller. The Flint catalogue does not mention any other editions. The print is not pencil signed as is the case with all AAG editions and we have the original folder which accompanies the print.
$5,000

Doorway into Street
Lithograph, 1929, Flint 23, edition 15 (plus 10 more printed in 1972) 14 x 7 in. Signed with the monogram in the lower right corner. Signed in pencil. This is a superb impression of this uncommon, early work. The margins are full and the condition is fine. This impression is from the early printing. The 1972 impressions are numbered in Roman numerals; ix-x/x.
SOLD

Edison Plant
Lithograph, 1929, Flint 24, edition 20. 13 5/8 x 7 15/16 in. Signed and dated in pencil, lower right. This is a fine impression printed on RIVES wove paper. The margins are full with a deckle edge showing on all sides. The condition is fine apart from three tiny splits in the bottom edge of the margin and old paper hinges, verso, at the two top corners. This stellar, early work was reprinted in 1972 in an edition of ten numbered impressions. Lozowick actually worked at this plant after his return from Europe in 1924.
SOLD

Granaries to Babylon (Babylon to Omaha; Railroad Yards)
Lithograph, 1933, Flint 112; edition 25 plus 250 for the International Print Guild. 12 3/4 x 8 1/8 in. Signed, dated and numbered in pencil. This is a superb impression printed on light cream wove paper. The margins are full. The condition is fine. The blindstamp of Jacob Friedland, the printer,appears in the lower right corner margin.
SOLD

Guts of Manhattan
Lithograph, 1939, Flint 161, edition 20. 13 1/8 x 9 1/4 in. Initialed on the stone in the extreme lower left corner. Signed and numbered in pencil. This is a superb impression of this uncommon print. The margins are full and the condition is excellent. The catalogue states on page 135, "This work was done during a period when the Sixth Avenue elevated was being demolished and subway lines were being constructed along Sixth Avenue and Eighth avenues. Lozowick would often walk along the construction sites, sketching what could be seen under the scaffolding."
SOLD

Mending Nets (Provincetown)
Lithograph, 1950, Flint 232, edition only 15. 13 1/16 x 7 1/2 in. Signed on the stone with the monogram, lower left. Signed and titled "Provincetown" in pencil. Here we have a fine impression in excellent condition. The margins are full. Lozowick produced very few lithographs of Provincetown; two from 1950 and a couple from 1967.
SOLD

Noon
Lithograph, 1930, Flint 60, edition 50. 8 1/4 x 11 in. Signed in pencil. A fine impression in fine condition with full margins. Provenance: Kennedy Galleries, New York.
$1,200

Storm Clouds Above Manhattan
Lithograph, 1935, Flint 126, edition 25. 11 3/4 x 16 3/4 in. Printed by George Miller. Signed and dated in pencil and also titled in pencil along the lower margin. The full sheet. Mat stain along the edge of a previous mat line. A major work from the 1930s.
SOLD

Storm over Manhattan
Lithograph, 1935, Flint 127, edition 189. 10 x 13 3/8 in. Signed and dated in pencil. This is a fine impression rich with contrasts. The margins are full and the condition is fine. (There's a tiny speck of ink in the lower margin and a tiny tear at the top margin edge.) This edition was published by Associated American Artists in NY and printed by George Miller.
$4,000

Tanks # 1
Lithograph, 1929, Flint 39, edition 50. 13 7/8 x 8 in. Initialed on the stone, lower left corner. Signed, dated and numbered in pencil. This is a fine, rich impression of this dynamic print. The margins are full and the condition is fine. (Five additional impressions were printed in 1972 by Burr Miller. They are numbered I/X/V/X.) "In Tanks (No. 1), Lozowick creates a celebratory vision of a nocturnal industrial landscape with a monumental storage tank rising heroically through a lattice of pipes and scaffolding. The image also speaks to progress through the juxtaposition of an airplane and a team of horses. Mastery of the lithographic medium is evident in the velvety surfaces and subtle tonal gradations, while the simplification of forms and faceted planes reveal Lozowick's debt to Cubism, Russian Constructivism, and other avant-garde styles that he saw during his travels in Europe in the 1920s." (from the entry in the Brooklyn Museum online catalogue for their impression of this print.)
$6,000

Through Brooklyn Bridge Cables
Lithograph, 1938, Flint 158, edition 15 plus 250 for AAA printed in 1939. 9 5/8 x 12 7/8 in. Initialed with the monogram in the lower right corner. Signed in pencil. This is a very fine impression with full margins. The condition is fine other than for remnants of older hinges on the sheet corners, verso. This exemplary work is on the cover of the Flint catalogue of Lozowick's prints.
SOLD